22 June 2017

Shakerag 2017

I have recently returned home after my week at Shakerag Workshops in Sewanee, Tennessee. I had been there once before and it was so nice to return this warm, friendly, gracious and familiar place. It was wonderful to see some friends I had met there previously and join up with those that I was acquainted with from other areas.


 

After teaching for a week at Arrowmont I decided to roll on down the road a be a student at Shakerag Workshops. I took a class with Dorothy Caldwell entitled Human Marks: Drawing, Stitching, Batik, and Bookmaking. What a pleasure it was to meet and spend the week with Dorothy. She is grounded, giving, gentle, and that other "g" word again - gracious. A talented artist and teacher.


Textile piece by Dorothy Caldwell
Textile piece by Dorothy Caldwell
 
 

We began the week by making simple marks with a variety of tools. Sometimes the mark would stand on its own and sometimes it would be repeated, combined, and layered.


 

 

 


Then we started stitching. Dorothy had conducted research in India on traditional and contemporary kantha cloth and she shared with us stories and examples of these wonderful pieces of women's work.


 
 


We started stitching cloth in the kantha style that would eventually be a wrapper for the book we would put together later in the week.

 
 

More mark making processes were shared.

Inspiration board of Dorothy's work and processes
 
Result of student blind stitching exercise
 


And, then the bookmaking began. I love the woven binding that Dorothy taught us - so simple yet rich and textural. The first book we made was from the piece of paper that acted as our place mats earlier in the week - by Thursday they contained ink spills, notations, and doodles, and when torn into book pages created some interesting juxtapositions.


 


Finally we put our week long mark making experiments together into another book. I had used the water harvesting system in the building where our workshop took place as my muse throughout the week. I was immediately taken with the lines, curves, and shapes of these structures and also the idea of reuse, sustainability and water!


 
 


I sketched, drew, and made stencils inspired by these shapes and then repeated them throughout the week in our mark making exercises.


 



What a wonderful class - the content, the teacher and my fellow students. A very kind, sharing and talented group to say the least.


 

A visit to Shakerag is not complete without as many dips as possible in The Rez.


 


To see more about Shakerag Workshops visit my posts from June 2014 - there are three of them and you can search in the box (upper right) or click here, here and here.


 


Thank you Shakerag, Arrowmont and Tennessee! I know that I will return - just hope that it is sooner rather than later.








12 June 2017

Arrowmont 2017

Just finished up a week of teaching at Arrowmont School of Arts and Crafts. It was just as wonderful as I had heard from everyone who had been there although different than I had imagined. 

 


It was hard to imagine the bucolic and creative campus juxtaposed with downtown Gatlinburg full of lights and tourist attractions that had been described to me. Here are some pictures of the campus and the interior of the main building, and some student work, before I shock your senses with images from Gatlinburg. 


 

Staff house. 



Textiles studio above and other interiors of the main art building below. Such a beautiful building. 

 
  
 

I taught a week long workshop called The Boro Aesthetic: Creating Fiber Art Pieces Inspired By Japanese Textiles. In the class I introduced students to Japanese mending techniques and we looked at Boro textiles, Gee's Bend Quilts, and contemporary artists working within the same aesthetic for inspiration. Students were also asked to bring an old garment to deconstruct so that they could play with existing seams, lines, and other elements inherent to the garment as a starting point for their pieces. We also covered block carving and printing, cutting stencils and image transfers. Here are some of the results:

 
 
 
 

 

 

 


Needless to say the students were varied and talented. I think that the people I met was the most remarkable part of the week. 
 
I'm sitting in the Nashville Airport as I write waiting for a shuttle to Shakerag where I will be a student for the week. Can't wait for that! I've been posting to Instagram if you want to follow along (@wishiwashistudio). 

And, now I leave you with some crazytown images of downtown Gatlinburg:


 

 

 

 

 

Thanks Arrowmont! See you in a few Shakerag...







   

24 May 2017

Summer Teaching 2017 - and a Spring Wrap Up

I pulled back from teaching this Spring so that I could dedicate as much time as possible to working in the studio on my Bibliomuse Series for an exhibit this Fall 2017 at Seager Gray Gallery.

It paid off since I was able to complete a few more pieces for the show - they are very labor intensive!


Incredible Truth


Above is a detail of a piece from the Bibliomuse Series called Incredible Truth.


I did teach a couple of workshops and thought I'd share some of the student work since I am teaching both workshops again this Summer at Cabrillo Arts and Handcraft Studio School.


In March, I taught a new class called Creative Textiles: Deconstruction, Reconstruction and Reuse at Cabrillo Arts (and will be teaching it again in July).


Essential - detail


This was a two-day workshop and was inspired by some of the processes I use in my own artwork. A couple of years ago I ran out of the old linen fabric that I use in my current work - but I did have an old farm dress hanging around that I had used in an installation. I realized that I probably was not going to use it as a dress anymore so made the move to cut it up and use the pieces in a wall piece. The first cuts were hard but then I was so glad that I did it. And, I discovered that the existing seams, hem, worn areas, and other elements inherent to the garment were a fabulous starting point for the piece. There were so many lines, curves and textures to react to. Below and above are details of the two pieces that I made out of that dress for my KEEP: Modern Library Series: Essential and Higbee.


Higbee - detial

For the Creative Textiles workshop I asked students to bring in old garments that were ready for re-purposing. We looked at images of Japanese boro textiles, Gee's Bend quilts, and artists that have worked with old clothes in their work, as inspiration. I taught some printing and image making techniques, some mending and embroidery stitches and then let the students fly! It was fun to see all of the different projects that emerged from the same points of inspiration.



student work - old waistband looking like shibori!

student work - reconstructed stripes

student work - men's shirt on delicates

student work - stitching on a t-shirt on a sweatshirt

Such creative work in that class and I'm teaching it again July 29th and 30th, 2017, at Cabrillo Arts.

The other workshop I taught was the tried and true Boro Sampler Book workshop but in a new location. My friend Rhiannon Alpers invited me to teach out of her studio space in San Francisco and it attracted some really talented students. They were artists, designers and creative business owners and needless to say their books were gorgeous.

I love how this student used Sally Fox fabric scraps as patches AND thread that she unraveled from the fabric:

student work - Sally Fox fabric and unraveled thread

And, more fabulous student work:





The next Boro Sampler Book workshop will be at Handcraft Studio School on July 15th, 2017. 

I'm traveling to Tennessee in a couple of weeks to teach at Arrowmont (class is waitlisted) and then to Shakerag to be a student! Really looking forward to both and will be sure to report back. 

Happy Summer of making to all and hope to see you in a workshop!










10 April 2017

Spring Refresh

I thought it was about time for a visual refresh on the blog with a new banner. The previous banner had been on my blog since day one and was an image of a book underwater that I thought fit my studio name nicely. 



I took the picture many, many moons ago when I submerged a damaged library book, that had been in a flood, in a glass bowl filled with water in my backyard and walked around it snapping pics. Some very interesting images resulted from that little pre-iphone photo shoot and the images represented my studio for many years.

But, a change was long overdue. I replaced the banner with an image of a piece from my Bibliomuse Series: Genetics, Paleontology and Evolution, No. 1., that I felt reflected the artwork I was currently working on, as well as my related teachings.


Bibliomuse: Genetics, Paleontology and Evolution, No. 1


The Bibliomuse series is a sub-series of KEEP: Modern Library that I am currently working on. I will be having an exhibit entitled Bibliomuse at Seager Gray Gallery in November 2017.


Bibliomuse: Genetics, Paleontology and Evolution, No. 1 (detail)


The Bibliomuse series pieces are all machine stitched and they look to specific discarded library books as their muses. Imagery is extracted and abstracted from the literary muses and combined with various textiles and bookcloth that has been "skinned" from discarded library books.
 

Bibliomuse: Genetics, Paleontology and Evolution, No. 1 (detail)


I'll be sharing more about the Bibliomuse exhibit as that date approaches and I've been sharing snippets of works in progress on Instagram if you want to follow along.

Another addition to the blog is a sidebar image and link to my new book! Thank you to everyone who has purchased my book: The Boro Aesthetic: Books, Bags, Zakka and Zokin. I am so glad that people are enjoying and learning from it! It will continue to be available on Blurb and Amazon, and I will have copies with me at my in-person workshops.








06 March 2017

The Boro Aesthetic: Blurb Book

Ever since I started teaching my Boro Sampler Book and Boro Bags workshops people from afar who can't attend have been asking me for information on these classes so that they can play along, too.





Finally, I have done something about that! I've written a book called: The Boro Aesthetic: Books, Bags, Zakka and Zokin. I used Blurb, a self-publishing platform, to help me create and distribute the book. Follow this link to my Blurb book page.

[Update: The Boro Aesthetic is now available on Amazon.]



Heavily patched Japanese textile from my personal collection


 I tried to make the book as much like my workshops as possible with images of my personal collection of Japanese boro textiles, images of class samples, scans of handouts, tool and supply lists, a glossary, and writing the reflects what I talk about in class.

Included in the book are directions on how to get started with projects that are inspired by Japanese boro textiles. This includes the Boro Sampler Book, Boro Bags, and a newer class that I call Zakka, Zokin and Chiku-Chiku.


Boro Sampler Book - instructions in book



In the Boro Sampler Book section I take readers through the various kinds of mending techniques seen in boro textiles. At the end of that section I have included directions on how to bind your sampler pages using the Japanese Side Sewn structure (I teach fancier versions of this binding on Creativebug).


Boro Bag - instructions in book



Next, is the Boro Bags section where I encourage readers to continue practicing the mending techniques on a larger piece of fabric and then make it into a Japanese style bag. Included are instructions on how to make the Tsunobukuro and the Azuma Bukuro.


Zokin inspired coasters - instruction in the book

In the Zakka, Zokin and Chiku-Chiku section I include instructions on how to make hand stitched cloth coasters (and how to adapt to a placemat or table runner) using the techniques learned in the sampler book section.

Throughout are beautifully photographed (thank you r.r.jones) Japanese boro textiles from my personal collection, a couple of images of my artwork, and class samples that I have made.


Boro Sampler Book page
 
I have ordered copies of the book and am very pleased with the reproduction of images, as is the photographer (and Mr. Jones is very particular about that). The book is artist and photographer approved!

Because many of you are from areas outside of the U.S., and I know shipping costs can be prohibitive, I have made an e-book version available (it shows up as "related editions" under the "add to cart" button). It is much more affordable and there are no tax or shipping charges. The e-book option may also be attractive for U.S. readers, too. 


Boro Sampler Book page

Students that have taken my in-person classes are also ordering the book to have it on hand for continued inspiration and instruction. I plan to have copies available at my future workshops, too.

My KEEP: Modern Library exhibit book may also be of interest to some of you since it is a series, exhibit, and body of work that was greatly inspired by Japanese boro textiles. It is also available on Blurb as a physical book and an e-book.


Bias from KEEP: Modern Library series


I hope that some of you find The Boro Aesthetic: Books, Bags, Zakka, and Zokin useful, informative and inspirational.

Happy reading, viewing and making!